storytelling

Yes, there has been something of a radio silence for a while on Our Viral Lives. But do not despair. Behind the scenes, I’ve been thinking deeply about the book project that will be finished (as a draft) next August, and some of the new components of the archive that will be launched once my M.A. semester finished up in a few weeks. I’ve also been thinking a lot about the principles that underpin this archive. I don’t want to call what I’m publishing here a manifesto (because a manifesto almost by its nature implies fixed principles) but there are ideals that guide my work as an archivist, curator, and individual living in the moment of this HIV/AIDS crisis.

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There are so many urgent problems worth solving in this world that it becomes difficult to decide what your focus will be. Focus should not be assumed as such an absolute. Instead, it should be considered a method for approaching one particular social problem in a way that promotes better equity and innovates in some way. A problem like HIV/AIDS can never be “solved” and one “solution” will always be ineffective, but there is, at least, space for new targeted prevention and treatment programs to pop up, and better yet, there are ways in which we have failed whole populations for decades and are finally recognizing our errors.

When it comes to the HIV/AIDS crisis, nothing is too late because it’s a crisis that endures. It’s a crisis that, despite all of the dollars and knowledge and political will (depending on where you live), remains intractable. My background might not be in public policy nor have I worked directly with health organizations in an official capacity, but it’s not impossible to envision solutions given my background in HIV/AIDS history, contemporary art, and storytelling. My own story begins again and again. The narrative of my sexual history and consciousness has meandered many times, calling into question the crux of why HIV/AIDS remains omnipresent in queer communities: the interplay between identity and desire.

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